The (Not So) Big Book of

 

Adam Franklin

&

Swervedriver

 

Acoustic Guitar Songs

 

 

 

Including:

 

Chords

Tablature

Lyrics

 

 

 

Version 1.0

 

 

 

 

 

 

Written by:

Tom Kennedy


Foreword

 

 

I must say a great big thank-you to Swervedriver, Adam Franklin, and Toshack Highway. Your music has brought me more joy than any other artist(s) I can think of.

 

This collection was created without the assistance or permission of any of the original musicians. I cannot guarantee the accuracy of these musical adaptations. They were created by listening and watching the artists live, on several occasions, and were greatly assisted by some video bootlegs (thank-you to all videographers that like to film the fret board!).

 

Most of the songs are adaptations of two concert bootlegs made in 2000 and 2001, of Adam Franklin playing acoustic guitar solo. However, there are a couple of songs that are from Adam playing electric guitar solo, and at least one adaptation of an album version of a song. The solo versions often vary greatly from the band version, so beware.

 


Table of Contents

Foreword.............................................................. 1

Adam’s Favourite Chords............................................... 3

Tab Nomenclature...................................................... 6

99th Dream (Swervedriver).............................................. 7

Country Grass (Toshack Highway)...................................... 11

Duress (Swervedriver)................................................ 14

Expressway (Swervedriver)............................................ 17

Harry and Maggie (Swervedriver)...................................... 19

The Hitcher (Toshack Highway)........................................ 23

Juggernaut Rides (Swervedriver)...................................... 28

Last Train to Satansville (Swervedriver)............................. 32

Maelstrom (Swervedriver)............................................. 36

The Other Jesus (Swervedriver)....................................... 41

Over Part 2 (Swervedriver)........................................... 47

Sci-Flyer (Swervedriver)............................................. 51

Scrawl and Scream (Swervedriver)..................................... 54

 

 

 

 


Adam’s Favourite Chords

 

This is a summary of some of the most common chords used in the songs within this document. The fingering given is the common variety, but you sometimes may want to use alternate fingering to make certain chord changes easier.

 

       A                   Am                Asus4

X--O-----------O    X--O-----------O    X--O-----------O

|  |  |  |  |  |    |  |  |  |  1  |    |  |  |  |  |  |

----------------    ----------------    ----------------

|  |  1  2  3  |    |  |  2  3  |  |    |  |  1  2  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  4  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 

       Am7                 A2                 B

X--O-----O-----O    X--O--------O--O    X---------------

|  |  |  |  1  |    |  |  |  |  |  |    |  |  |  |  |  |

----------------    ----------------    ----------------

|  |  2  |  |  |    |  |  1  2  |  |    |  1-----------1

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  3-----3  |

 

       C                   Cmaj7               D

X--------O-----O    X--------O--O--O    X--X--O---------

|  |  |  |  1  |    |  |  |  |  |  |    |  |  |  |  |  |

----------------    ----------------    ----------------

|  |  2  |  |  |    |  |  2  |  |  |    |  |  |  1  |  2

----------------    ----------------    ----------------

|  3  |  |  |  |    |  3  |  |  |  |    |  |  |  |  3  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 

       D7                  Dm                  D3

X--X--O---------    X--X--O---------    X--X--O--------O

|  |  |  |  1  |    |  |  |  |  |  1    |  |  |  |  |  |

----------------    ----------------    ----------------

|  |  |  2  |  3    |  |  |  2  |  |    |  |  |  1  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  3  |    |  |  |  |  3  4

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 

 

       D2                  E                   E7

X--X--O--------O    O-----------O--O    O--------------O

|  |  |  |  |  |    |  |  |  1  |  |    |  |  |  1  |  |

----------------    ----------------    ----------------

|  |  |  1  |  |    |  2  3  |  |  |    |  2  3  |  |  |

----------------    ----------------    ----------------

|  |  |  |  3  |    |  |  |  |  |  |    |  |  |  |  4  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 

       Em                  Esus4               F

O--------O--O--O    O-----------O--O    X--X------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  1  1

----------------    ----------------    ----------------

|  2  3  |  |  |    |  2  3  4  |  |    |  |  |  2  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  3  |  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 

     F bar                Fmaj7                G

----------------    X--O-----------O    ------O--O------

1--------------1    |  |  |  |  1  |    |  |  |  |  |  |

----------------    ----------------    ----------------

|  |  |  1  |  |    |  |  |  2  |  |    |  1  |  |  |  |

----------------    ----------------    ----------------

|  2  3  |  |  |    |  |  3  |  |  |    2  |  |  |  3  4

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 

       G6                  G6.9               G4.5

------O--O--O--O    ------O-----O--O    X--------------O

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  1  |

----------------    ----------------    ----------------

|  1  |  |  |  |    |  1  |  3  |  |    |  |  |  2  |  |

----------------    ----------------    ----------------

2  |  |  |  |  |    2  |  |  |  |  |    |  3  4  |  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 


Bass Note/Chord combinations

 

       B/C                 A/C                 G/C

X--------O-----O    X--O-----O-----O    ------O--O-----O

|  |  |  |  1  |    |  |  |  |  1  |    |  |  |  |  1  |

----------------    ----------------    ----------------

|  2  3  |  |  |    |  |  2  |  |  |    |  2  |  |  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    3  |  |  |  |  |

----------------    ----------------    ----------------

|  |  |  |  |  |    |  |  |  |  |  |    |  |  |  |  |  |

 

 


Tab Nomenclature

 

In this section I describe the nomenclature I will be using to tab sections of the songs within. Most of what I am using is fairly standard I believe, but just to be sure, here goes:

 

The 6 strings of the guitar are indicated with lines as below, with the topmost line corresponding to the smallest (highest pitch) string.

 

1)     The tuning of each string is indicated at the far left of each line.

2)     Vertical lines indicate bars, although I often do not show every bar.

3)     The beat is indicated underneath the tab. I tried to accurately show rhythm wherever possible.

4)     I will often mark the underlying chord above the tab.

5)     A double line and colon marks a repeated section, colon to the right of the double lines marks the start, colon to the left of the double lines marks the end.

6)     Lyrics are written underneath the tab.

7)     A number on a string indicates which fret you should be holding down for that string.

8)     Hammer down is indicated by an “h”, for example 0h2 means that you pick the indicated string in the open position, and then hammer your finger onto the second fret. The opposite, a pull off, is indicated with a “p”.

9)     Capo. Adam uses a Capo frequently. Whenever this is the case, I indicate in the notes. However, I use the standard chord names and tab fingering relative to the Capo. (So Capo on 2nd Fret, A chord, is actually a B chord)

 

   A

E|-0---------------||-----------------------------------||

B|-2---------------||-----------------------------------||

G|-2---------------||.---------------------------------.||

D|-2---------------||.---------------------------------.||

A|-0---------------||-----------------------------------||

E|-----------------||-----------------------------------||

   1 & 2 & 3 & 4 &    ß------Repeat this section -----à

  I’m not the only one…

 


99th Dream (Swervedriver)

 

This is probably one of the hardest songs to play, and I do not have the picked parts quite right, but it sounds ok, and is really fun to play.

 

General Notes:

Standard Tuning, Capo on the 7th Fret. Adapted from an in store show at Soundscapes in Toronto. The song is in 4/4 time, but there are a lot of triplets, where each beat is broken into three evenly spaced notes, so I write an entire bar as: 1 2 3 2 2 3 3 2 3 4 2 3.

 

Intro Riff:

   

     A                  rep.4X

E||--------------------------||

B||--------------------------||

G||.----2--------0---------0.||

D||.-------------------0h2--.||

A||--0--------0------0-------||

E||--------------------------||

     1 2 3 2 2 3 3 2 3 4 2 3

 

Verse:

 

   A                       F     C

E||-----------------------------1-----0--------------|

B||-----------------------------1-----1--------------|

G||.----------------------------2-----0----0-------0-|

D||.----------------------------3-----2--------0h2---|

A||--0-----0-----0-----0-----0-----0---------3-------|

E||--------------------------------------------------|

     1 2 3 2 2 3 3 2 3 4 2 3 1 2 3 2 2 3 3 2 3 4 2 3

 

                     Before the  setting sun reclines, we hear West-        

                              One day  we’ll work  the   world  without these

 

   F                       C     G6

E|----1-----0-----------------0-----0--------------|

B|----1-----1-----------------1-----0--------------|

G|----2-----0----0-------0----0-----0----0-------0-|

D|----3-----2--------0h2------2-----0------0-0h2---|

A|-0-----0---------3-------3--------2--------------|

E|-------------------------------3-----------------|

   1 2 3 2 2 3 3 2 3 4 2 3 1 2 3 2 2 3 3 2 3 4 2 3

 

    minster chimes,  we’ve gone to stealing cars from Mars bars and never fail

    stimulants,            and as thought bubbles rise   above    you,   you

 

 

   C     G6

E|----0-----0---------------||

B|----1-----0---------------||  Repeat 2X for each verse

G|----0-----0----0-------0-.||

D|----2-----0------0-0h2---.||

A|-3--------2---------------||

E|-------3------------------||

   1 2 3 2 2 3 3 2 3 4 2 3

 

       Always in your painted nails

     Know that I have always love ya

 

Chorus:

 

   Em                      C

E|-------------------------------------------------|

B|-------------------------0h1-1---1-1---1-1-1-----|

G|-0---0---0-0---0-0-0-----0---0---0-0---0-0-0-----|

D|-0h2-2---2-2---2-2-2-----0h2-2---2-2---2-2-2-----|

A|-0h2-2---2-2---2-2-2-----3---3---3-3---3-3-3-----|

E|-0---0---0-0---0-0-0-----------------------------|

   1 2 3 2 2 3 3 2 3 4 2 3 1 2 3 2 2 3 3 2 3 4 2 3

 

 

   G6    C                 G6    C

E|----0-----0-----------------0-----0--------------|

B|----0-----1-----------------0-----1-----0--------|

G|----0-----0----0-------0----0-----0--------2--0--|

D|----0-----2--------0h2------0-----2--------------|

A|----2--3---------3----------2--3-----------------|

E|-3-----------------------3-----------------------|

   1 2 3 2 2 3 3 2 3 4 2 3 1 2 3 2 2 3 3 2 3 4 2 3

 

     I Love           your      ways

 

   Em                      C

E|-------------------------------------------------|

B|-------------------------0h1-1---1-1---1-1-1-----|

G|-0---0---0-0---0-0-0-----0---0---0-0---0-0-0-----|

D|-0h2-2---2-2---2-2-2-----0h2-2---2-2---2-2-2-----|

A|-0h2-2---2-2---2-2-2-----3---3---3-3---3-3-3-----|

E|-0---0---0-0---0-0-0-----------------------------|

   1 2 3 2 2 3 3 2 3 4 2 3 1 2 3 2 2 3 3 2 3 4 2 3

    

     Love    your     little   ways


   G6    C                 G6          A

E|----0-----0--------------0---------0-------------|

B|----0-----1-----0--------0--3------3-------------|

G|----0-----0--------2--0--0---------3-------------|

D|----0-----2--------------0-----0---3-------------|

A|----2--3-----------------2---------0-------------|

E|-3-----------------------3-----------------------|

   1 2 3 2 2 3 3 2 3 4 2 3 1 2 3 2 2 3 3 2 3 4 2 3

 

       Love           your      ways

 

Verse:

 

This is the same as the first verse.

 

   Somewhere up in the sky

   The Hindenburg still flies

   You're still flying from the night before

   Last night the big score

   As we lie half in traction

   And in stereo start to dream

   Architecture, nature, alcohol

   Space travel, rock n roll

 

Bridge:

 

Only sing the words on the last two repeats.

 

     A     D                 A     D             rep. 4X

E||-----0-----2-----------------0-----2---------------||

B||-----2-----3----3-------3----2-----3----3-------3--||

G||.----2-----2--------0h2------2-----2--------0h2---.||

D||.----2--0---------0----------2--0---------0-------.||

A||--0-----------------------0------------------------||

E||---------------------------------------------------||

     1 2 3 2 2 3 3 2 3 4 2 3 1 2 3 2 2 3 3 2 3 4 2 3

 

       Love           your      ways

 

Chorus:

 

This is the same as the first chorus, but only sing the last “Love your ways”

 


Verse:

 

This is also the same as the first verse.

 

   Shop windows at night

   And endless possibilities

   The mannequin's blank face

   Reflecting how you feel

   So glamorous and surreal

   It's a thin veneer

   And something's got to give out here

   I'm dreaming number 99

   Get me to the world on time